18,133 Royalty-Free Audio Tracks for "Midi Files Of Musical Scales In A Sharp"

Sonata no. 31 in a-flat major, op. 110 - i. moderato cantabile molto espressivo

Chopin's Prelude in C minor modulates within the first three measures.

Street organ playing the Waltz of the Blue Bride in the Historic Center of Mexico City. (Live recorded.).origin:Les Patineurs, valse The Skaters' Waltz Der Schlittschuhläufer-Walzer 日本語: ワルツ『スケートをする人々』 (composer:Émile Waldteufel op.183)

*28 steps in 72 equal temperament on C. Equal-tempered: 228/72=14/36=7/18:1 = 466.67 cents. MIDI pitch bend: 43,53

*13 steps in 18-et on C = ?. Equal-tempered: 213/18:1 = 866.67 cents. MIDI pitch bend: 42,53

*17 steps in 18-et on C = ??. Equal-tempered: 217/18:1 = 1133.33 cents. MIDI pitch bend: 85,74

*11 steps in 18-et on C = ??. Equal-tempered: 211/18:1 = 733.33 cents. MIDI pitch bend: 85,74

Rock-a-bye Baby

A my proso seyali

Polonez A-dur op. 40 nr 1, w wykonaniu Romualda Greissa na fortepianie marki Budynowicz z 1850. Nagranie z koncertu w filharmonii w Zabrzu. Čeština: Polonéza Fryderyka Chopina Polonaise Op. 40 No. 1 v podání pianistky Romualdy Greissové na klavíru Budynowicz z roku 1850. Polonaise Op. 40 No. 1, performed by Romuald Greiss on an 1850 Budynowicz piano. Polonaises, opus 40, n°1 de Frédéric Chopin, interprétées par Romuald Greiss sur un piano Budynowicz de 1850. Эрзянь: Полонез Оп. 40 No. 1, налксизе Ромуальд Грейсс, 1850 иестэ теезь Budynowicz фортопианасо. Українська: Полонез Op.40 №1 у виконанні Ромуальда Грайса на фортепіано Будиновича 1850 року, Забже, Польща.

Klaviersonate Nr. 31 in As-Dur op. 110, 3. Satz (adagio, ma non troppo) Sonata no. 31 in a flat major, op. 110 - iii. adagio, ma non troppo

Bohlen-Pierce chord: 0,1,2 (semitones), the most dissonant chord. Currently at 0, 169.75, and 310.88 cents. Title refers to number of semitones (unison=0).

0 7 10 was judged most consonant by the untrained subjects. Title refers to number of semitones (unison=0).

Suggestion of bitonality in Beethoven's Sonata in E♭ for Piano, Op. 8la.

Une quinte pythagoricienne juste (10 secondes) suivie d'une quinte du loup (10 autres secondes). Fait avec Csound.

Un la à 440hz, puis un la élevé d'un comma à 446 hz, puis les deux ensemble. Fait avec CSound.An A at 440 hz, then an A + one comma at 446hz, then both together. Made with CSound.

Comma pythagoricien. Deux notes séparées d'un comma pythagoricien, jouées alternativement. Format ogg. Fait avec CSound.

*Just minor sixth on C = A♭. 8:5 = 813.69 cents. Limit: 5-limit. MIDI pitch bend: 49,68

*255th subharmonic on C = D-. Just: 256:255 = 6.78 cents. Limit: 17-limit. MIDI pitch bend: 21,66

*127th subharmonic on C = ??. Just: 128/127 = 13.58 cents. Limit: 127-limit. MIDI pitch bend: 44,68

9 steps in just A12 on middle C: 23/10 = D = 1441.96 cents.

Narrow diminished sixth on C (Abb-), 1024 : 675, 721.51 cents.

Leading-tone seventh chord in C major.

Add6 chord on C

Minor ninth augmented fifth chord on C. C E G♯ B♭ D♭.

Augmented triad on C, As MIDI

Compound minor third on C (Augmented ninth), MIDI

Svatou dobu již tu máme, traditional Christmas carol from Czechia

*Pythagorean major seventh on C = B+ (Ben Johnston's notation). 243:128 = 1109.78 cents. Limit: 3-limit. MIDI pitch bend: 16,67

*Eighty-fifth harmonic on C = E♯ (Ben Johnston's notation). Just: 85:64 = 491.27 cents. Equal-tempered: 25/12:1 = 500 cents. Limit: 17-limit. MIDI pitch bend: 26,93 on M3

*Eighty-seventh harmonic on C = F+ (Ben Johnston's notation). Just: 87:64 = 531.53 cents. Equal-tempered: 25/12:1 = 500 cents. Limit: 29-limit. MIDI pitch bend: 11,74

*Pythagorean major sixth on C = A+ (Ben Johnston's notation). 27:16 = 905.87 cents. Limit: 3-limit. MIDI pitch bend: 112,65

*Ditone (Pythagorean major third) on C = E+ (Ben Johnston's notation). Just: 81:64 = 407.82 cents. Limit: 3-limit. MIDI pitch bend: 64,66 81st harmonic.

*Pythagorean augmented sixth on C = A♯+++ (Ben Johnston's notation). 59049/32768 = 1019.55 cents. Limit: 3-limit. MIDI pitch bend: 33,70

*Pythagorean augmented third on C = E♯+++ (Ben Johnston's notation). 177147/131072 = 521.51 cents. Limit: 3-limit. MIDI pitch bend: 113,70

*3125th harmonic on C = F♯+. Equal-tempered: 23125/2048:1 = 731.57 cents. Limit: 5-limit. MIDI pitch bend: 13,42 on A7

*Twenty-first harmonic, harmonic seventh on G on C = F+ (Ben Johnston's notation). 21:16 = 470.78 cents. Limit: 7-limit. MIDI pitch bend: 83,54

Fantasie in B minor, Op. 28 (1900) by Alexander Scriabin, played by Jonathan Floril at the 2009 Minnesota International Piano-e-Competition

Fantasie in B minor, Op. 28 (1900) by Alexander Scriabin, played by Kimberly Hou at the 2011 Minnesota International Piano-e-Competition

Ascending and descending scale played in E flat major

Harmonized C major scale.

The "bad guy" or "curse" motif familiar from all over the place.

Ladrang form, without the phrase making/colotomic instruments, but with balungan line (on slentam). Slendro tuning (5-tet).

*Small diesis on C. Just: 3125:3072 = 29.61 cents.

Nocturne in D-flat Major, Op. 27, No. 2

Consonant harmonies based on the odd harmonic overtones 3/5/7/9.

5 7 9 chord on E, eight steps in the octave. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include eight steps in the octave, based on 5:7:9 and of which only the just version would be used. Traditional notation: E B♭ D.

*12 steps in 15 equal temperament on C = A♮ (Easley Blackwood's notation). Equal-tempered: 212/15=8/10=4/5:1 = 960 cents. MIDI pitch bend: 26,83 on M6 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~154,50 on Bb

Away in a Manger (jazz rendition) performed by the Airmen of Note of the United States Air Force Band. Track 10 from Christmas Time is Here (1998). Recorded at the Center For The Arts, George Mason University, January 24-27, 1998. Credits: Alto Saxophone – Technical Sergeant Andy Axelrad* Alto Saxophone [Lead] – Senior Master Sergeant Joe Eckert* Baritone Saxophone – Master Sergeant Don New* Bass – Master Sergeant Paul Henry* Bass Trombone – Master Sergeant Dudley Hinote* Directed By – Chief Master Sergeant Peter C. BarenBregge* Drums – Senior Master Sergeant C. E. Askew* Engineer [Assistant] – Master Sergeant Kendall Thomsen* Engineer, Edited By – Bruce Leek Guitar – Technical Sergeant Shawn Purcell* Layout [Graphic] – Master Sergeant Dudley J. Hinote*, Master Sergeant Judith J. Thompson*, Technical Sergeant Robert K. McConnell* Liner Notes – Chief Master Sergeant Peter C. BarenBregge* Mixed By – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Percussion – Master Sergeant Pat Shrieves* (tracks: 2, 4 to 11) Piano – Master Sergeant Wade Beach Jr.* Producer – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Tenor Saxophone – Senior Master Sergeant Saul Miller Jr.* Tenor Saxophone [Lead] – Chief Master Sergeant Pete BarenBregge* Trombone – Technical Sergeant Jeff Martin* Trombone [Assistant Lead] – Technical Sergeant Ben Patterson* Trombone [Lead] – Master Sergeant Joe Jackson* Trumpet – Master Sergeant Rich Sigler*, Technical Sergeant Tim Leahey* Trumpet [Assistant Lead] – Master Sergeant Dave Detwiler* Trumpet [Lead] – Master Sergeant Bruce Gates* Vocals – Master Sergeant Tracey Wright*

*Eleventh harmonic on C = F↑ (Ben Johnston's notation). 11:8 = 551.32 cents. Limit: 11-limit. MIDI pitch bend: 54,80